Perfect Sounds: the 1984 Box Set: Disc 9

31.05.2011

Disc 9 - Dust

"Dust" collects music that by history, origin, connotation (or, in a few instances, joke) is associated with the more rural parts of society. You say there's dust in cities too? Hogwash!

Download 1984 - Dust: Link 1, Link 2 or Link 3.

(Streaming is not yet available).

1984 – Dust

Los Lobos: “I Got Loaded” from How Will the Wolf Survive, Slash Records, 1984. Alex Acuna (perc.), Steve Berlin (harmonica, perc., baritone sax., soprano sax., tenor sax.), T-Bone Burnett (guitar, organ), David Hidalgo (accordion, bass, guitar, lap steel guitar, perc., vocals), Conrad Lozano (bass, guitar, guitarron, vocals), Louie Pérez (drums, guitar, quinto), Cesar Rosas (bajo sexto, guitar, mandolin, vocals), Oscar Rosas (banjo, guitar, mandolin, vocals)
The Del-Lords: “How Can a Poor Man Stand Such Times and Live” from Frontier Days, EMI America, 1984. Eric Ambel (guitar, vocals), Manny Caiati (bass, vocals), Frank Funaro (drums, vocals), Scott Kempner (guitar, vocals)
Blaze Foley: “Oval Room” from Blaze Foley, Vital Records, 1984. Blaze Foley (guitar, mandolin, vocals), Roger Clark (drums), Cal Freeman (steel guitar), Clayton Ivey (keyboards), Gurf Morlix (bass), John Willis (guitar, mandolin)
John Prine: “Aimless Love” from Aimless Love, Oh Boy, 1984. John Prine (guitar, vocals) (The credits lists over twenty musician. I can't be bothered to write down all of them. See e.g. here for one list).
Rank and File: “Saddest Girl In the World” from Long Gone Dead, Slash Records, 1984. Chip Kinman (vocals, guitar, harmonica, six string bass), Tony Kinman (bass, vocals), Peter Grant (pedal steel guitar, slide guitar, autoharp, banjo), Stan Lynch (drums, perc.), Jeff Ross (guitar)
John Anderson: “Chicken Truck” from Chicken Truck 7'', Warner Bros., 1984. John Anderson (guitar, vocals). No other credits listed.
Christine Lavin: “Cold Pizza for Breakfast” from Future Fossils, Palindrome Records, 1984. Christine Lavin (acoustic guitar, vocals), Mark Dann (bass, guitar, 12 string guitar, synth.), Paul Kaplan (harmonica), Andy Teirstein viola), Howie Wyeth (drums)
George Strait: “Does Fort Worth Ever Cross Your Mind” from Does Fort Worth Ever Cross Your Mind, MCA Records, 1984. George Strait (vocals, guitar), Eddie Bayers (drums), Larry Byrom (guitar), Hank DeVito (steel guitar), Johnny Gimble (fiddle, mandolin), John Hobbs (keyboards), David Hungate (bass), Weldon Myrick (steel guitar), Randy Scruggs (steel guitar), Curtis Young (backing vocals), Reggie Young (guitar)
John Fahey: “Sunset on Prince George's County” from Let Go, Varrick, 1984. John Fahey (guitar), Terry Robb (bass, bottleneck guitar, guitar)
The Judds: “Mama He's Crazy” from Why Not Me, RCA/Curb Records, 1984. Naomi Judd (vocals), Wynona Judd (vocals), Eddie Bayers (drums), Mark Casstevens (guitar, harmonica), Sonny Garrish (dobro, steel guitar), Bobby Ogdin (piano), Don Potter (guitar), Gene Sisk (piano), Jack Williams (bass)
The Del Fuegos: “I Should Be the One” from The Longest Day, London Records, 1984. Brent “Woody” Giessmann (drums, vocals), Tom Lloyd (bass, vocals), Dan Zanes (lead vocals, guitar), Warren Zanes (guitar), Jorge Bermudez (perc.), Mitchell Froom (keyboards)
The Long Ryders: “Run Dusty Run” from Native Sons, Frontier Records, 1984. Des Brewer (bass, vocals), Sid Griffin (autoharp, bugle, guitar, harmonica, vocals), Steve McCarthy (banjo, guitar, steel guitar, keyboards, mandolin, vocals), Gerg Sowders (drums, perc., vibraphone), Tom Steven (bass, vocals), Gene Clark (guest vocals), Phil Kenzie (baritone sax., tenor sax.), Dave Pearlman (steel guitar, guitar)
The Blasters: “Blue Shadows” from I Can Dream About You / Blue Shadows split 7'' w/ Dan Hartman, MCA Records, 1984. Dave Alvin (guitar), Phil Alvin (guitar, vocals), Bill Bateman (drums), John Bazz (bass). (Unknown piano player, likely Gene Taylor).
Reba McEntire: “How Blue” from My Kind of Country, MCA Records, 1984. Reba McEntire (vocals). (Long-winded credits list can be found here).
Ferron: “As Soon As I Find My Shoes I'm Gone” from Shadows on a Dime, Lucy Records, 1984. Ferron (acoustic guitar, vocals), Glen Hendrickson (drums), Brian Newcombe (bass), Dave Pikell (synth.), Brent Shindell (guitar), Adrienne Torf (synth.), Willow Wray (backing vocals), Brett Wade (guitar). Credits fro this track only.
T-Bone Burnett: “Strange Combination” from Behind the Trap Door EP, Demon Records, 1984. T-Bone Burnett (guitar, vocals), Alex Acuna, Steve Berlin Stephen Burton, Reggie Fisher, David Kemper, David Mansfield, David Miner, Billy Swan (listed as unspecified “musicians” only)
Nick Lowe: “Half a Boy and Half a Man” from Nick Lowe and His Cowboy Outfit, F-Beat, 1984. Nick Lowe (bass, guitar, vocals), Martin Belmont (guitar), Paul Carrack (keyboards, backing vocals), Bobby Irwin (drums, backing vocals). Additional musicians appear on other tracks.
Cub Koda: “That's What I Like About The South” from That's What I Like About the South, Lolita, 1984. Cub Koda (guitar, vocals). No other credits available.
Ricky Skaggs: “Country Boy” from Country Boy, Epic, 1984. Ricky Skaggs (fiddle, guitar, mandolin, violin, vocals), Eddie Bayers (drums), Bruce Burton (pedal steel guitar), Molly Bright (vocals), Dennis Burnside (piano), Jese Chambers (bass), Buddy Emmons (pedal steel guitar), George Grantham (drums), Lloyd Green (pedal steel guitar), Bobby Hicks (fiddle), Bill Monroe (mandolin), Joe Osborn (bass), Lou Reid (banjo, vocals), Gary W. Smith (piano), Crom Tidwell (kazoo), Buck White (piano)
Nanci Griffith: “Spin On a Red Brick Floor” from Once in a Very Blue Moon, Philo Records, 1984. Nanci Griffith (acoustic guitar, vocals), Pat Alger (guitar, hi-string guitar), john Catchings (cello), Phil donnely (bird calls, guitar, sound effects), Stephen Doster (guitar), Béla Fleck (banjo), Denice Franke (vocals), Lloyd Green (dobro, pedal steel guitar), Mark Howard (guitar), Roy Husky (bass, upright bass), Lyle Lovett (vocals), Kenny Malone (drums, perc.), Terry McMillan (harmonica), Mark O'Connor (fiddle, mandola, mandolin, piccolo mandolin, violin), Raplh Vitello (piano, synth.)
Vømmøl Spellemannslag: “Gravølet” from Vømmølåret, Plateselskapet AS, 1984. Hans “Kristian Schravlevold” Rotmo (vocals, lurk, fiddle), Hans “Konrad Vømmølbakken” Løkken (mandolin, saxophone, backing vocals), Leiv “Birger Skruddusvingen” Prestvik (bass, backing vocals), Geir “Peder Storvømmølvold” Solheim (guitar, harmonica, vocals), Carl Haakon Waadeland (drums), Tor Evensen (various inst.), Alf Erik Skille (keyboards)
MDC: “Chicken Squawk” from Millions Of Dead Children 7'' a.k.a. Chicken Squawk 7'', R Radical Records / Twisted Chords, 1984. No credits listed.

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About the 1984 Box Set

Introduction:

This project started as a continuation of an article I wrote in celebration of the 25th anniversary of 1984, the year in music, a few years back. Having grown tired of the narrative spouted and repeated by far too many that the '80s was a decade to forget, I set about trying to nuance the view of history a bit. The 80's wasn't all about the stock market, pastel colored clothes, and MTV. It was also about workers' rights protests, Vans shoes and black jeans, and not least a whole spectrum of musical expressions many of which can stand up the the best from any decade.

So, why 1984? Well in part, this choice might seem haphazard, as so much great music was released throughout the decade. However, over the years I've spent listening to, collecting and writing about music, I came to discover that a solid number of records I have come love were released in 1984: Minutemen's Double Nickels On the Dime, Hüsker Dü's Zen Arcade, Linton Kwesi Johnson's Making History, The Replacement's Let It Be, King Sunny Ade's Aura, Bruce Springsteen's Born In the USA and Laurie Anderson's United States Live could all conceivably end up on a "100 favorite records"-list -- and a good few of those almost certainly in the top quarter to boot -- while Jimmy Lyons Quintet’s Wee Sneezawee, Run-DMC's debut, The Go-Betweens' Spring Hill Fair, plus albums by The Fall, the dB's and others could all be contenders for a top 200 spot. And those are only select few of the many good releases from 1984.

So, I chose 1984 as a doorway in order to re-examine the musical output of the 1980's. It started with the aforementioned article, and continues with this multi-volume mp3 "Box Set", which is the result of me mining my own record collection, as well as surveying numerous resources off- and online, for great music from the year 1984.

About the tracks:

I have tried as far as possible to pick music that was released in 1984 only, either on an album or as a single. In some cases, a track may have been released as a single in the year before, but also on the album in 1984, in which case I have accepted them. If a song appeared on an album in '83, but was released as a single the following year, I have not included them. You may disagree with this method, but that's the routh I have decided to take. I have consulted numerous resources in order to make sure I have the correct year of release. In many cases, the year of release/publishing is printed on the records' sleeves, in other cases, they are not, or they have only printed the year the recording has been re-issued. I have nonetheless checked with record guides and discographies, both printed and web based.

One area has been a bit more difficult to survey: jazz. Many jazz discographies, and even some listings at AllMusic.com, list the year the album was recorded rather than the year it was issued. Again, in the cases where I own a physical copy of the album, I have gone with the year printed on the sleeves. If I only have a digital version of an album, discogs.com and RateYourMusic.com, among others, have been helpful with providing year of release. This process took a lot of time, and some good records were eventually cut because they were clearly or most likely released the year before or after even if they appear with the year 1984 on some lists (e.g. James Blood Ulmer's excellent Odyssey from '83, Butch Morris' Current Trends in Racism ... from'85, while Henry Threadgill released two albums -- one excellent and one very good -- either side of '84 that were cut, 'though his music is represented on the box with the inclusion of a track from Air's underrated Live at Montreal Int'l Jazz Festival). In some instances, jazz or other, I could not find a decisive answer, and so they were included as released in 1984 on the basis of lack of evidence to the contrary.

I have only chosen music I like. Like the title says, it is "A Personal Journey In Music". Choosing the final picks hasn't only been easy. I wanted to include songs from some of my favorite records, like those mentioned above. Great albums naturally have many great songs, so the choices have been made either to try and fit the artist, the album and/or the song into a context, or sometimes the pick was made according to my mood at the time. In a few cases, I'll admit the choice may even have been made entirely on a whim. Other selections are stand-out tracks and choice cuts from very good records, or even from just plain OK albums. There are also a good deal of songs lifted off singles here, often the A side but in some cases a B side.

About the discs:

I believe that music expresses, implicitly or explicitly, attitudes, values, emotions and thoughts in ways that transcend genres. To put it another way, the attitudes, values, emotions and thoughts I may find interesting and artistically pleasing cannot be boxed into one genre category. With that in mind, the discs here are not necessarily put together with genres in mind. Some are grouped together because they share sentiments and/or ideas, others may share similarities in sound, instrumentation and/or have historical connections. Others yet may have geographical connections. Although the music put out by the artists included in the box set may fit onto several of the discs, I have adhered to a strict "one song per artist" rule.

A document with additional info for each track are included in the zip files for each disc. I've also tried to copy and paste them into the "comments" section for the individual tracks in iTunes and Songbird, but some of that info got lost due to limited character space in iTunes. The release info is taken from the original 1984 release as long as I've been able to find it, and the credits are for the entire release unless otherwise noted. I've tried to be as thorough as possible, but some mistakes may have occurred, facts, spelling or otherwise.

I've tried arrange make mp3-"discs" so that each would fit on an actual CD. Because there is a lot of good music to get through, some discs may have multiple volumes. The titles of the discs may seem arbitrary, or even plain goofy, but I have just tried to play around a bit.

About the sound quality:

Most of these tracks have been ripped from CDs or good quality LPs from my own collection. Some are good quality mp3 or FLAC converted downloads. Others are hard to find releases I have downloaded from various blogs and web sites, and would have to settle for what sound quality they could provide. I have attempted, with what little mixing know how I have, to make to best out of the files I have. The files have been encoded in VBR using Switch for Mac in an attempt to achieve the best quality to size ratio.

Buy music!:

Much of the music included here is available on artists' original albums (CDs or otherwise), or on Best Of- or Singles collections. In some cases, they may be available as downloads only through various sites (try eMusic.com, for example). I strongly urge you to buy the music if you hear something you like. I'll be happy to provide information and links to helpful, good quality and trust worthy retailers, web-based or otherwise, upon request. For out of print material, try Gemm.com or drop me an e-mail, and I may be able to help out.

Enjoy!

Feeback: perfectsounds.chrismonsen [at] gmail.com

The 1984 Box Set:

31.05.2011

Disc 9 - Dust

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