Perfect Sounds: the 1984 Box Set: Breaks

Viser innlegg med etiketten Breaks. Vis alle innlegg

18.05.2012

Disc 15 - Breaks vol. 2

Like it says on the box, volume two of "Breaks", meaning electro hip-hop, mostly instrumental, but some do have vocals.

Download 1984 - Breaks vol. 2: Link 1, Link 2, Link 3, or Link 4

Stream 1984 - Breaks vol. 2:

1984 – Breaks vol. 2

Twilight 22: “Siberian Nights” from Siberian Nights 12'', Vanguard, 1984. Gordan Bahary (mixing, production, writer), Joseph Saulter (writing credit), Ray “Pinky” Velazquez (mixing, prodction)
Davy DMX: “One For The Treble (Fresh) (Vocal Mix)” from One For The Treble 12'', Tuff City, 1984. David Reeves Jr. (mixing, production, writing credit), Herbie Jr. (mastering), Julian Herzfield (mixing, recording), Elai Tubo (mixing)
Mr. Magic: “Magic's Message (There Has Got To Be a Better Way” from Magic's Message 12'', Posse Records 1984. Mr. Magic (vocals, co-production), Patrick Adams (mixing), Steven Rifkind (production), Spyder-D (editing, mixing, production), Rich Wainman (production)
Eddie “D” featuring Galaxxy: “Cold Cash $ Money (Short Version)” from Cold Cash $ Money 12'', Pop Art Records, 1984. Eddie Drummond (writing credit), Lawrence Goodman (production, writing credit), Lawrence Lavon (mixing), Kaye Williams Jr. (mixing)
Hashim: “We're Rocking The Planet” from We're Rocking The Planet 12'', Cutting Records, 1984. Hashim (performer, production), Jay Burnett (engineering), Amado Marin (production), Herb Powers Jr. (mastering), Steve Peck (engineering)
The Masterdon committee: “Musicgram (Vocal)” from Musicgram 12'', Enjoy Records, 1984. Masterdon (drum programming), Bobby Robinson (production), J. Rodriguez (guitar)
Arthur Baker: “Breaker's Revenge (Extended Vocal)” from Breaker's Revenge, Atlantic, 1984. Arthur Baker (arrangement, mixing, production), Gavin Christopher (vocals), The Latin Rascals (editing), Andy Wallace (engineering)
Galaxxy: “Where's The Beat” from Where's The Beat 12'', Pop Art Records, 1984. Lawrence Goodman (arrangement, production)
Imperial Brothers: “We Come To Rock” from We Come To Rock 12'', Cutting Records, 1984. Jerry Calliste Jr. (music, production), Jay Burnett (engineering), Luis Garcia (mixing), Aldo Marin (mixing, production), Amado Marin (production), Herb Powers Jr. (mastering)
Free Style: “The Party Has Begun” from The Party Has Begun 12'', Music Specialists, 1984. “Pretty” Tony Butler (engineering, mixing, production), MF (mastering), Sherman Nealy (production)
Divine Sounds: “What People Do For Money” from What People Do For Money 12'', Streetwave, 1984. Jerry Bloodrock (arrangement, mixing, production), Clark Jay (arrangement, mixing, production), John Jackosn (mixing)
Great Peso & Mr. Nasty: “It's Time To Rock” from It's Time To Rock 12'', C.C.L. Records, 1984. Peso (music), Pumpkin (music), Julio Guina (production), J. Lyon (engineering), Aldo Marin (mixing, production), Scott Noll (engineering), Herb Powers Jr. (mastering), O. Rodriguez (mixing, production), Fantasy Three (special consultants)
The Beat Box Boys: “Einstein” from Einstein 12'', Telefon Records, 1984. Bobby Orlando (produstion)

28.05.2011

Disc 8 - Breaks vol. 1

"Breaks" refers to what was called electro in the 80s. Hip-hop oriented beats and music, but without the raps (usually).

Download 1984 - Breaks vol. 1: Link 1, Link 2 or Link 3.

(Streaming is not yet available)

1984 – Breaks vol. 1

Afrika Bambaataa & James Brown: “Unity Part 1 (The Third Coming)” from Unity 12'', Tommy Boy Music, 1984. Afrika Bambaataa (vocals, production), James Brown (vocals), Brian Banks (synth.), Chops (horns), Robin Halpin (synth.), Keith LeBlanc (drums), Skip McDonald (guitar), Anthony Marinelli (synth), Doug Wimbish (bass)
Herbie Hancock: “Metal Beat” from Sound System, Columbia, 1984. Herbie Hancock (keyboards, production), D. ST. (turntables), Aiyb Dieng (perc.), Hamid Drake (perc.), Anton Fier (drums, Dmx programming), Bernard Fowler (voice), Henry Kaiser (guitar), Toshinori Kondo (trumpet), Bill Laswell (bass, Dmx programming), Daniel Ponce (perc.), Wayne Shorter (saxophone, lyricon), Nicky Skopelitis (guitar), Foday Musa Suso (xylophone, kora, kalimba)
DST And Jalaludin M Nuriddin: “Mean Machine” from Mean Machine 12'', Celluloid, 1984. D. ST. (production), Material (ass. Production)
Knights Of The Turntable: “Techno Scratch” from Techno Scratch 12'', JDC Records Inc. Jim Callon (production, engineer), Charles Lamont (keyboards)
Egyptian Lover: “Egypt Egypt” from On the Nile, Egyptian Empire Records, 1984. Egyptian Lover (production, programming, synth., voice), Hanky Doing Panky (synth.)
File 13: “Tastes So Good” from Taste So Good 12'', Profile Records, 1984. Double Dee (engineer, mixing), Arthur Ether (mixing), Dave Ogrin (engineer)
World Class Wreckin' Cru: “Surgery” from Surgery 12'', Kru-Cut Records, 1984. Cli-N-Tel (voice), Donovan (engineer), Dr. Dre (scratching), Daniel Sofer (Dmx programming, keyboards)
John Davis & Too Much: “Destination Earth” from Destination Earth, Metrovynil Records, 1984. John Davis (perfomer), Fred Fiore (production). No other credits listed.
“Pretty" Tony: “Jam the Box” fromJam the Box 12'', Music Specialists, 1984. “Pretty” Tony (production, mixing), Sherman Nealy (production)
C-Jam & Kid Frost: “Commando Rock” from Command Rock 12'', Baja Records, 1984. Allen “The Lefty” Perada (music, scratching, production), Sniper (guitar), Dave Storrs (keyboards, production), Alien wizard (music)
Megatwa Fatman: “Pants Too Tight” from Pants Too Tight 12'', Critique, 1984. Joe Carvello (mixing), Bill McKinney (production), Eric Morgeson (mixing, engineer)
Unknown DJ & 3D: “Beatronic” from Beatronic 12'', Techno Hop Records, 1984. (Louis King (production), Andre Manuel (production)
For more info, please read the sidebar.

Abonner på: Innlegg (Atom)

About the 1984 Box Set

Introduction:

This project started as a continuation of an article I wrote in celebration of the 25th anniversary of 1984, the year in music, a few years back. Having grown tired of the narrative spouted and repeated by far too many that the '80s was a decade to forget, I set about trying to nuance the view of history a bit. The 80's wasn't all about the stock market, pastel colored clothes, and MTV. It was also about workers' rights protests, Vans shoes and black jeans, and not least a whole spectrum of musical expressions many of which can stand up the the best from any decade.

So, why 1984? Well in part, this choice might seem haphazard, as so much great music was released throughout the decade. However, over the years I've spent listening to, collecting and writing about music, I came to discover that a solid number of records I have come love were released in 1984: Minutemen's Double Nickels On the Dime, Hüsker Dü's Zen Arcade, Linton Kwesi Johnson's Making History, The Replacement's Let It Be, King Sunny Ade's Aura, Bruce Springsteen's Born In the USA and Laurie Anderson's United States Live could all conceivably end up on a "100 favorite records"-list -- and a good few of those almost certainly in the top quarter to boot -- while Jimmy Lyons Quintet’s Wee Sneezawee, Run-DMC's debut, The Go-Betweens' Spring Hill Fair, plus albums by The Fall, the dB's and others could all be contenders for a top 200 spot. And those are only select few of the many good releases from 1984.

So, I chose 1984 as a doorway in order to re-examine the musical output of the 1980's. It started with the aforementioned article, and continues with this multi-volume mp3 "Box Set", which is the result of me mining my own record collection, as well as surveying numerous resources off- and online, for great music from the year 1984.

About the tracks:

I have tried as far as possible to pick music that was released in 1984 only, either on an album or as a single. In some cases, a track may have been released as a single in the year before, but also on the album in 1984, in which case I have accepted them. If a song appeared on an album in '83, but was released as a single the following year, I have not included them. You may disagree with this method, but that's the routh I have decided to take. I have consulted numerous resources in order to make sure I have the correct year of release. In many cases, the year of release/publishing is printed on the records' sleeves, in other cases, they are not, or they have only printed the year the recording has been re-issued. I have nonetheless checked with record guides and discographies, both printed and web based.

One area has been a bit more difficult to survey: jazz. Many jazz discographies, and even some listings at AllMusic.com, list the year the album was recorded rather than the year it was issued. Again, in the cases where I own a physical copy of the album, I have gone with the year printed on the sleeves. If I only have a digital version of an album, discogs.com and RateYourMusic.com, among others, have been helpful with providing year of release. This process took a lot of time, and some good records were eventually cut because they were clearly or most likely released the year before or after even if they appear with the year 1984 on some lists (e.g. James Blood Ulmer's excellent Odyssey from '83, Butch Morris' Current Trends in Racism ... from'85, while Henry Threadgill released two albums -- one excellent and one very good -- either side of '84 that were cut, 'though his music is represented on the box with the inclusion of a track from Air's underrated Live at Montreal Int'l Jazz Festival). In some instances, jazz or other, I could not find a decisive answer, and so they were included as released in 1984 on the basis of lack of evidence to the contrary.

I have only chosen music I like. Like the title says, it is "A Personal Journey In Music". Choosing the final picks hasn't only been easy. I wanted to include songs from some of my favorite records, like those mentioned above. Great albums naturally have many great songs, so the choices have been made either to try and fit the artist, the album and/or the song into a context, or sometimes the pick was made according to my mood at the time. In a few cases, I'll admit the choice may even have been made entirely on a whim. Other selections are stand-out tracks and choice cuts from very good records, or even from just plain OK albums. There are also a good deal of songs lifted off singles here, often the A side but in some cases a B side.

About the discs:

I believe that music expresses, implicitly or explicitly, attitudes, values, emotions and thoughts in ways that transcend genres. To put it another way, the attitudes, values, emotions and thoughts I may find interesting and artistically pleasing cannot be boxed into one genre category. With that in mind, the discs here are not necessarily put together with genres in mind. Some are grouped together because they share sentiments and/or ideas, others may share similarities in sound, instrumentation and/or have historical connections. Others yet may have geographical connections. Although the music put out by the artists included in the box set may fit onto several of the discs, I have adhered to a strict "one song per artist" rule.

A document with additional info for each track are included in the zip files for each disc. I've also tried to copy and paste them into the "comments" section for the individual tracks in iTunes and Songbird, but some of that info got lost due to limited character space in iTunes. The release info is taken from the original 1984 release as long as I've been able to find it, and the credits are for the entire release unless otherwise noted. I've tried to be as thorough as possible, but some mistakes may have occurred, facts, spelling or otherwise.

I've tried arrange make mp3-"discs" so that each would fit on an actual CD. Because there is a lot of good music to get through, some discs may have multiple volumes. The titles of the discs may seem arbitrary, or even plain goofy, but I have just tried to play around a bit.

About the sound quality:

Most of these tracks have been ripped from CDs or good quality LPs from my own collection. Some are good quality mp3 or FLAC converted downloads. Others are hard to find releases I have downloaded from various blogs and web sites, and would have to settle for what sound quality they could provide. I have attempted, with what little mixing know how I have, to make to best out of the files I have. The files have been encoded in VBR using Switch for Mac in an attempt to achieve the best quality to size ratio.

Buy music!:

Much of the music included here is available on artists' original albums (CDs or otherwise), or on Best Of- or Singles collections. In some cases, they may be available as downloads only through various sites (try eMusic.com, for example). I strongly urge you to buy the music if you hear something you like. I'll be happy to provide information and links to helpful, good quality and trust worthy retailers, web-based or otherwise, upon request. For out of print material, try Gemm.com or drop me an e-mail, and I may be able to help out.

Enjoy!

Feeback: perfectsounds.chrismonsen [at] gmail.com

The 1984 Box Set:

18.05.2012

Disc 15 - Breaks vol. 2

28.05.2011

Disc 8 - Breaks vol. 1